The starting point for hosting a March Madness Poetry Tournament is picking out the poems. You can go with classic or contemporary, you can pair poems by the same poet or based on themes or topics, you can choose the poems or let students submit recommendations, you could even throw in song lyrics! There's no one right way to make your picks, but here is how I've decided on the poems I use.
Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts
February 28, 2021
Everything You Need to Host a March Madness Poetry Tournament
Unfortunately schools closed last year in the middle of the month due to the coronavirus and our March Madness Tournament had to get a reset when learning resumed online in April. All of our poem examinations and voting had to shift to online activities. After operating on a hybrid schedule the following year, I have finally been able to bring everything back in person.
February 1, 2019
Introducing Students to the Power of Poetry
This #2ndaryELA Twitter chat was all about poetry Middle school and high school English Language Arts teachers discussed selecting poems to teach. Teachers also shared their considerations about the content and structure of poetry.
Read through the chat below to find out how other teachers introduce literary devices. You'll get ideas about exposing students to slam poetry. You'll also find ways to teach poetry as a tool for change as well as teaching it as an artform.
Read through the chat below to find out how other teachers introduce literary devices. You'll get ideas about exposing students to slam poetry. You'll also find ways to teach poetry as a tool for change as well as teaching it as an artform.
Hope you'll join us next week for another chat. We'd also love for you to join our 2ndaryELA Facebook group (even if you aren't on Twitter). 2ndaryELA is a group of middle and high school English Language Arts teachers looking to share ideas and best practices. This group is an extension of our Twitter chat and a place for collaboration, questions, and encouragement. Feel free to post teaching ideas, success stories, links, photos, etc. that will enhance our instruction.
Introducing Students to the Power of Poetry
Introducing Students to the Power of Poetry
January 27, 2019
#2ndaryELA Twitter Chat on Tuesday 1/29 Topic: Teaching Poetry & Empowering Students
Brynn Allison, The Literary Maven, & Lisa Spangler, Mrs. Spangler in the Middle, host #2ndaryELA on Twitter every Tuesday evening from 8 - 8:30 PM EST. #2ndaryELA is a weekly chat for secondary English Language Arts teachers focused on a topic. Every Sunday, we post the topic and questions on our blogs to allow you to prepare for the upcoming Tuesday evening's chat. Thank you to everyone who joined us last week and we hope that you will join us again.We'd also love for you to join our 2ndaryELA Facebook group, even if you aren't on Twitter. 2ndaryELA is a group of middle and high school English Language Arts teachers looking to share ideas and best practices. This group is an extension of our Twitter chat and a place for collaboration, questions, and encouragement. Feel free to post teaching ideas, success stories, resource links, photos, etc. that will enhance our instruction.
The Directions:
1. Log into Twitter on Tuesday from 8-8:30 PM EST.
2. Search for tweets with the hashtag #2ndaryELA in the search bar. Make sure to click “Latest.”
3. Introductions are for the first 5 minutes.
4. Starting at 8:05 (@literarymaven or @2peasandadog) will post questions every 5 minutes using the format Q1, Q2, Q3, etc. and the hashtag #2ndaryELA.
5. Respond to questions using the format A1, A2, A3, etc. with #2ndaryELA.
6. Follow any teachers responding and who are also using #2ndaryELA.
7. Like and respond to other teachers' tweets.
New to chats? Here are the rules:
1. Stay on topic & stay positive!
2. Please do not post or promote paid products unless specifically asked.
3. If you arrive late, try to look through other posts before beginning.
4. Feel free to just read, like, and/or retweet.
5. Always use our hashtag #2ndaryELA, including in your replies to others.
6. Make sure your twitter feed is set to public. (Also keep in mind that Twitter is completely public – that means students, parents, and administrators can and will read what you tweet.)
You can also check out a quick video tutorial in this blog post.
1. Log into Twitter on Tuesday from 8-8:30 PM EST.
2. Search for tweets with the hashtag #2ndaryELA in the search bar. Make sure to click “Latest.”
3. Introductions are for the first 5 minutes.
4. Starting at 8:05 (@literarymaven or @2peasandadog) will post questions every 5 minutes using the format Q1, Q2, Q3, etc. and the hashtag #2ndaryELA.
5. Respond to questions using the format A1, A2, A3, etc. with #2ndaryELA.
6. Follow any teachers responding and who are also using #2ndaryELA.
7. Like and respond to other teachers' tweets.
You can schedule your responses to the questions ahead of time using a scheduler like TweetDeck or HootSuite (but don't forget to use A1, A2, etc. and #2ndaryELA). Links are encouraged, so be sure to use a link shortener like tinyurl, bitly, goo.gl or ow.ly Just visit one of those links and paste your long link to shorten it for Twitter. Using images is also encouraged when relevant.
New to chats? Here are the rules:
1. Stay on topic & stay positive!
2. Please do not post or promote paid products unless specifically asked.
3. If you arrive late, try to look through other posts before beginning.
4. Feel free to just read, like, and/or retweet.
5. Always use our hashtag #2ndaryELA, including in your replies to others.
6. Make sure your twitter feed is set to public. (Also keep in mind that Twitter is completely public – that means students, parents, and administrators can and will read what you tweet.)
You can also check out a quick video tutorial in this blog post.
Be sure to spread the word to any teacher friends who might be interested in joining us as well. We look forward to chatting with you Tuesday evening and in our 2ndaryELA Facebook group!
Get caught up on past chats here:
Get caught up on past chats here:
March 23, 2018
15 Poem and Song Pairings to Liven Up Your Poetry Unit
Last year, in honor of National Poetry Month, I shared 32 poetry pairings (that's a total of 64 poems!) so that you could host a poetry tournament in your classroom. If you can't wait until April, there's still time for you to use the same poems to create a March Madness bracket. You can find the paired poems and tournament directions here.
Many students are intimidated by poetry, so using music can help you ease them into poetry analysis as there's really no difference between looking at the lyrics of a song and the lines of a poem. These 15 song and poem pairings will also help you to tackle the analysis of "how two or more texts address similar themes or topics in order to build knowledge or to compare the approaches the authors take." If you are in a Common Core state, that's Reading Anchor Standard #9, and if you are not a Common Core state, it is still a worthwhile exercise.
1. "Annabel Lee" by Edgar Allan Poe and "Annabel Lee" by Tiger Army
This is an easy pairing to start out with as the song is simply a retelling of the poem. I like to show students the lyrics first before playing the song for them as hearing the music that accompanies the lyrics can be quite a surprise. Tiger Army is considered a psychobilly band, part of the rock music fusion genre that mixes elements of rockabilly and punk rock. After listening, discuss with students whether the music changes the meaning and tone of the lyrics. This pairing is also a perfect addition to your unit on Edgar Allan Poe.
2. "The Lighthouse" by Henry Wadsworth Longfellow and "The Lighthouse's Tale" by Nickel Creek
Students love the lighthouse imagery in each of these texts, and are quick to suss out the symbolism. However, once they push further, they can analyze the different perspectives offered (the song is from the POV of a lighthouse, while the poem's narrator simply admires and assesses the lighthouse from afar) and the impact on the audience. Both texts together work well to show students the effect of mood and tone. The song also works well alone as a first foray into song analysis as it offers a rich melody and emotional lyrics.
*Recommended by Danielle Hall from Nouvelle ELA
3. "Song of Myself" by Walt Whitman and "Sake of the Song" by Blackmore’s Night
One of the verses of "Sake of the Song" reads, "Could you ever be just for the sake of being? Could a melody ever be wrong? Could you ever sing just for the sake of singing? Set your spirit free for the sake of the song." Those lines capture much more simply, and succinctly, Whitman's message in "Song of Myself." I don't suggest reading the whole poem with students. I recommend just the first three sections unless you assign each student a different section or two (there are 52 total) to try to translate. Add this pairing to your American Literature unit.
4. "Richard Cory" by Edwin Arlington Robinson and "Eleanor Rigby" by The Beatles
"All the lonely people, where do they all come from?" Each of these texts creates a rich character sketch of someone who wears a mask for the world, but deals with some tough emotions. These two texts offer easy opportunities for comparison: both have strong settings and character development. I like to have students follow up with writing their own character portrait poetry, zooming in on someone real or made up. Students always surprise me by creating an intense portrait in a very small amount of space.
*Recommended by Danielle Hall from Nouvelle ELA
5. "Because I Could Not Stop for Death" by Emily Dickinson and "Seasons in the Sun" by Terry Jacks
With this poem and song, students can consider the poet and artist's feelings about death. Do they fear death or do they welcome it? How do the poet and artist feel about the life they have lived? Both the poem and song have lines that require some thinking. For example, what does Terry Jacks mean when he sings, "But the stars we could reach were just starfish on the beach"? In Dickinson's poem, students can examine her use of personification. How does death become a character in her poem? Students can also consider her use of capitalization and how it affects (or doesn't affect) meaning in the poem.
6. "Pyramus and Thisbe" by Ovid and "Sk8er Boi" by Avril Lavigne
Forbidden love is a theme that always engages my students. When my freshmen read Romeo and Juliet, I begin with a thematic hook. As a class, we listen to songs like Avril Lavigne's "Sk8er Boi" and The Shangri-Las "Leader of the Pack." We also read "Pyramus and Thisbe" and discuss popular movies like Shrek, Hitch, Divergent, Lady and the Tramp, and the Titanic. All of these examples help us pose the question: Why are stories of forbidden love so popular? As students make connections, offer opinions, and draw thematic conclusions, we prepare to begin Shakespeare's play. This discussion is the perfect way to make classic poems relevant. Why read Romeo and Juliet? Why read "Pyramus and Thisbe"? The stories reflect modern issues that impact modern teens.
*Recommended by Melissa from Reading and Writing Haven
7. "Sympathy" by Paul Laurence Dunbar and "Caged Bird" by Alicia Keys
The lyrics of "Caged Bird" are a direct nod to Dunbar's poem. In comparing the poem and song, first have students focus on the birds. What are the conditions of their imprisonment? Then move on to the tone of the poet and artist. Are they similar or different? How does that connect to the experiences of the birds? Finally, have students discuss the use of the different gender pronouns. How does Dunbar's use of he and Keys's use of she potentially transform the meaning in the poem versus the song?
8. "I, Too" by Langston Hughes and "The Times They are A-Changin'" by Bob Dylan
Poetry challenges many students, but I’ve found that if you can present songs as poems, you can often get students to have a better understanding of their reading. In fact, when I introduce American Literature at the beginning of my semester, I use poetry, music, and art to get students engaged. One of my favorite pairings is to use “Let America Be America Again” by Langston Hughes with “The Times They Are A-Changin’” from Nobel Prize winner Bob Dylan. Both the poem and song share a purpose to improve American society, the song as an anthem for the Civil Rights movement and the poem as an appeal for equal treatment of all Americans. Excellent for analysis of poetic devices, both include examples of rhyme, alliteration, figurative language, symbolism, and allusion. If the poem is too long or complex for your students, Hughes’s “I, Too” also makes a strong connection to the song.
*Recommended by Kim, OCBeachTeacher
9. "The Road Not Taken" Robert Frost and "Any Road" by George Harrison
As their titles suggest, both this poem and song focus on the road, a symbol of our journey in life. Once the symbolism is discussed, you can have students practice identifying rhyme scheme. Do students prefer one pattern over the other? This pairing can also lead to a deep philosophical discussion about choices and fate. Robert Frost maintains that "Two roads diverged in a wood, and I— I took the one less traveled by, and that has made all the difference, " while George Harrison claims that, "If you don't know where you're going, any road will take you there." Poll your students for their opinions on whether our fate is pre-determined or whether the choices we make determine our fate. Then allow students to debate the question using examples from literature.
10. "Chicago" by Carl Sandburg and "This City" by Patrick Stump
These two voices are so distant in time and genre, but share such a scrappy, unapologetic sense of pride for their cities. Both poets use a counter argument structure: they acknowledge the faults of their cities, then come right down and defend their homes. Stump identifies the “unethical politician” while Sandburg references having “seen the gunman kill and go free to kill again.” The reason I enjoy pairing these two together is because Stump’s version is so simple and approachable. His language is plain and the song is catchy, so it makes for a nice scaffold. Once you layer on “Chicago,” the language gets more difficult, but since you’re approaching it in the same context as “This City,” the students already have a frame for the poem. As you look through these parallels with students (and there are several more!), I would suggest focusing in on four major aspects of the poems: the tone, the message, the speakers, and the figurative language. Depending on your class, you might even narrow that list down to just two things to focus on. I use a structured Venn diagram lesson as well as a deeper analysis writing activity with these two poems that would also work with any other pairing.
*Recommended by Amanda Cardenas, Mud and Ink Teaching
11. "Mother to Son" by Langston Hughes and "Dear Mama" by Tupac Shakur
Paired together, this poem and song create a beautiful dialogue of a mother sharing her struggles with her son and a son recognizing the difficulties faced by his mother. After sharing with students that the poem was published in 1922 and the song was released in 1995, discuss what the "tacks" and "splinters" might symbolize in Hughes's poem and if they are the same types of struggles Tupac's mother endured. For a more contemporary song, you could also use "Hey Mama" by Kanye West (just be sure you are comfortable with all of the language before sharing it with your students). As a follow up to reading, students could write their own mother to son, father to daughter, etc. piece and a response, which are wonderful writing pieces for students to give as gifts.
12. "The Fish" by Elizabeth Bishop and "Hall of Fame" by The Script
My sophomores love our poetry unit because I infuse music throughout it as often as possible. Music is such a powerful way to teach poetic and rhetorical devices, but it can also bring poems to life. When paired well, music can make the thematic relevance of a poem tangible. Our poetry unit explores various poem structures, one of which is narrative. We use "The Fish" by Elizabeth Bishop because it's so rich in imagery - an important story element. In order to hook students, we surround this poem with multiple examples of songs that have a similar theme of resiliency. As we listen to "Hall of Fame" by The Script, "Fight Song" by Rachel Platten, and "It's Not Over Yet" by King and Country, we analyze the message, the author's purpose, and the social, cultural, and historical significance of the songs. With this prior knowledge in tow, we read "The Fish" and make as many connections as possible between characters and themes in the poem with those in the lyrics. It's fun to use the same analyzing music assignment when reading the poem as when studying the songs to prove to students that music really is poetry. My students always love this study because it makes poetry engaging, they get to listen to music, it scaffolds analysis, and everyone leaves in a good mood. Teenagers themselves have quite a bit to overcome, and our discussions often focus on positive ways they can address their own obstacles.
Begin with a comparison of tone and theme as you examine "Choices" and "Change." While both the poem and song deal with the quandary of not getting what you want, Giovanni and Swift have very different attitudes about their problems, which results in the presence of two very different messages. "Choices" is from Giovanni's poetry collection titled Cotton Candy on a Rainy Day, which was published in 1978, and "Change" is a song from Swift's album titled Fearless, which was released in 2008 and used during the 2008 Summer Olympics. Discuss whether students attribute the difference in tone and theme to the time period, the women's racial identities, or a combination of both. What made Swift's song an appropriate choice for the Olympics? After reading, students could write about the changes they'd like to make in themselves or the change they'd like to see in the world.
You can find all of my resources for teaching poetry here.
Many students are intimidated by poetry, so using music can help you ease them into poetry analysis as there's really no difference between looking at the lyrics of a song and the lines of a poem. These 15 song and poem pairings will also help you to tackle the analysis of "how two or more texts address similar themes or topics in order to build knowledge or to compare the approaches the authors take." If you are in a Common Core state, that's Reading Anchor Standard #9, and if you are not a Common Core state, it is still a worthwhile exercise.
1. "Annabel Lee" by Edgar Allan Poe and "Annabel Lee" by Tiger Army
This is an easy pairing to start out with as the song is simply a retelling of the poem. I like to show students the lyrics first before playing the song for them as hearing the music that accompanies the lyrics can be quite a surprise. Tiger Army is considered a psychobilly band, part of the rock music fusion genre that mixes elements of rockabilly and punk rock. After listening, discuss with students whether the music changes the meaning and tone of the lyrics. This pairing is also a perfect addition to your unit on Edgar Allan Poe.
2. "The Lighthouse" by Henry Wadsworth Longfellow and "The Lighthouse's Tale" by Nickel Creek
Students love the lighthouse imagery in each of these texts, and are quick to suss out the symbolism. However, once they push further, they can analyze the different perspectives offered (the song is from the POV of a lighthouse, while the poem's narrator simply admires and assesses the lighthouse from afar) and the impact on the audience. Both texts together work well to show students the effect of mood and tone. The song also works well alone as a first foray into song analysis as it offers a rich melody and emotional lyrics.
*Recommended by Danielle Hall from Nouvelle ELA
3. "Song of Myself" by Walt Whitman and "Sake of the Song" by Blackmore’s Night
One of the verses of "Sake of the Song" reads, "Could you ever be just for the sake of being? Could a melody ever be wrong? Could you ever sing just for the sake of singing? Set your spirit free for the sake of the song." Those lines capture much more simply, and succinctly, Whitman's message in "Song of Myself." I don't suggest reading the whole poem with students. I recommend just the first three sections unless you assign each student a different section or two (there are 52 total) to try to translate. Add this pairing to your American Literature unit.
4. "Richard Cory" by Edwin Arlington Robinson and "Eleanor Rigby" by The Beatles
"All the lonely people, where do they all come from?" Each of these texts creates a rich character sketch of someone who wears a mask for the world, but deals with some tough emotions. These two texts offer easy opportunities for comparison: both have strong settings and character development. I like to have students follow up with writing their own character portrait poetry, zooming in on someone real or made up. Students always surprise me by creating an intense portrait in a very small amount of space.
*Recommended by Danielle Hall from Nouvelle ELA
5. "Because I Could Not Stop for Death" by Emily Dickinson and "Seasons in the Sun" by Terry Jacks
With this poem and song, students can consider the poet and artist's feelings about death. Do they fear death or do they welcome it? How do the poet and artist feel about the life they have lived? Both the poem and song have lines that require some thinking. For example, what does Terry Jacks mean when he sings, "But the stars we could reach were just starfish on the beach"? In Dickinson's poem, students can examine her use of personification. How does death become a character in her poem? Students can also consider her use of capitalization and how it affects (or doesn't affect) meaning in the poem.
Forbidden love is a theme that always engages my students. When my freshmen read Romeo and Juliet, I begin with a thematic hook. As a class, we listen to songs like Avril Lavigne's "Sk8er Boi" and The Shangri-Las "Leader of the Pack." We also read "Pyramus and Thisbe" and discuss popular movies like Shrek, Hitch, Divergent, Lady and the Tramp, and the Titanic. All of these examples help us pose the question: Why are stories of forbidden love so popular? As students make connections, offer opinions, and draw thematic conclusions, we prepare to begin Shakespeare's play. This discussion is the perfect way to make classic poems relevant. Why read Romeo and Juliet? Why read "Pyramus and Thisbe"? The stories reflect modern issues that impact modern teens.
*Recommended by Melissa from Reading and Writing Haven
7. "Sympathy" by Paul Laurence Dunbar and "Caged Bird" by Alicia Keys
The lyrics of "Caged Bird" are a direct nod to Dunbar's poem. In comparing the poem and song, first have students focus on the birds. What are the conditions of their imprisonment? Then move on to the tone of the poet and artist. Are they similar or different? How does that connect to the experiences of the birds? Finally, have students discuss the use of the different gender pronouns. How does Dunbar's use of he and Keys's use of she potentially transform the meaning in the poem versus the song?
Poetry challenges many students, but I’ve found that if you can present songs as poems, you can often get students to have a better understanding of their reading. In fact, when I introduce American Literature at the beginning of my semester, I use poetry, music, and art to get students engaged. One of my favorite pairings is to use “Let America Be America Again” by Langston Hughes with “The Times They Are A-Changin’” from Nobel Prize winner Bob Dylan. Both the poem and song share a purpose to improve American society, the song as an anthem for the Civil Rights movement and the poem as an appeal for equal treatment of all Americans. Excellent for analysis of poetic devices, both include examples of rhyme, alliteration, figurative language, symbolism, and allusion. If the poem is too long or complex for your students, Hughes’s “I, Too” also makes a strong connection to the song.
*Recommended by Kim, OCBeachTeacher
9. "The Road Not Taken" Robert Frost and "Any Road" by George Harrison
As their titles suggest, both this poem and song focus on the road, a symbol of our journey in life. Once the symbolism is discussed, you can have students practice identifying rhyme scheme. Do students prefer one pattern over the other? This pairing can also lead to a deep philosophical discussion about choices and fate. Robert Frost maintains that "Two roads diverged in a wood, and I— I took the one less traveled by, and that has made all the difference, " while George Harrison claims that, "If you don't know where you're going, any road will take you there." Poll your students for their opinions on whether our fate is pre-determined or whether the choices we make determine our fate. Then allow students to debate the question using examples from literature.
These two voices are so distant in time and genre, but share such a scrappy, unapologetic sense of pride for their cities. Both poets use a counter argument structure: they acknowledge the faults of their cities, then come right down and defend their homes. Stump identifies the “unethical politician” while Sandburg references having “seen the gunman kill and go free to kill again.” The reason I enjoy pairing these two together is because Stump’s version is so simple and approachable. His language is plain and the song is catchy, so it makes for a nice scaffold. Once you layer on “Chicago,” the language gets more difficult, but since you’re approaching it in the same context as “This City,” the students already have a frame for the poem. As you look through these parallels with students (and there are several more!), I would suggest focusing in on four major aspects of the poems: the tone, the message, the speakers, and the figurative language. Depending on your class, you might even narrow that list down to just two things to focus on. I use a structured Venn diagram lesson as well as a deeper analysis writing activity with these two poems that would also work with any other pairing.
*Recommended by Amanda Cardenas, Mud and Ink Teaching
11. "Mother to Son" by Langston Hughes and "Dear Mama" by Tupac Shakur
Paired together, this poem and song create a beautiful dialogue of a mother sharing her struggles with her son and a son recognizing the difficulties faced by his mother. After sharing with students that the poem was published in 1922 and the song was released in 1995, discuss what the "tacks" and "splinters" might symbolize in Hughes's poem and if they are the same types of struggles Tupac's mother endured. For a more contemporary song, you could also use "Hey Mama" by Kanye West (just be sure you are comfortable with all of the language before sharing it with your students). As a follow up to reading, students could write their own mother to son, father to daughter, etc. piece and a response, which are wonderful writing pieces for students to give as gifts.
12. "The Fish" by Elizabeth Bishop and "Hall of Fame" by The Script
My sophomores love our poetry unit because I infuse music throughout it as often as possible. Music is such a powerful way to teach poetic and rhetorical devices, but it can also bring poems to life. When paired well, music can make the thematic relevance of a poem tangible. Our poetry unit explores various poem structures, one of which is narrative. We use "The Fish" by Elizabeth Bishop because it's so rich in imagery - an important story element. In order to hook students, we surround this poem with multiple examples of songs that have a similar theme of resiliency. As we listen to "Hall of Fame" by The Script, "Fight Song" by Rachel Platten, and "It's Not Over Yet" by King and Country, we analyze the message, the author's purpose, and the social, cultural, and historical significance of the songs. With this prior knowledge in tow, we read "The Fish" and make as many connections as possible between characters and themes in the poem with those in the lyrics. It's fun to use the same analyzing music assignment when reading the poem as when studying the songs to prove to students that music really is poetry. My students always love this study because it makes poetry engaging, they get to listen to music, it scaffolds analysis, and everyone leaves in a good mood. Teenagers themselves have quite a bit to overcome, and our discussions often focus on positive ways they can address their own obstacles.
*Recommended by Melissa from Reading and Writing Haven
13. "Saturday’s Child" by Countee Cullen and "Cat’s in the Cradle" by Harry Chapin
The importance of time versus money is at the center of this comparison. "Saturday's Child" is narrated by a child reflecting on his impoverished childhood, while "Cat's in the Cradle" is narrated by a father who regrets not spending more time with his son. Both the poem and song make reference to a silver spoon, but have students determine whether the allusion has the same meaning in both pieces. "Saturday's Child" can be examined for personification and irony can be discussed with "Cat's in the Cradle."
14. "The Highwayman" by Alfred Noyes and "Everywhere" by Fleetwood Mac
Few can resist a love story and a classic song. The combination of the two make Alfred Noyes' poem, "The Highwayman," and Fleetwood Mac's song, "Everywhere," a perfect combination for bringing narrative poetry into the class. I begin with the poem. Students dissect the narrative elements and tease apart the storyline. We talk about what happens and the poetic devices Noyes uses. (It's strong on repetition, rhyme, alliteration, similes and metaphors.) Then students listen to the Fleetwood Mac song and watch the video. We discuss the similarities, the themes of each, and the ways the song's video connects to the poem. If there is time for more, we compare both to other song and video renditions. In the end, students have a solid appreciation for narrative poetry and this poem. Introducing them to a classic song and band is a bonus.
*Recommended by Writing by Rachel, Rachel Cummings
15. "Choices" by Nikki Giovanni and "Change" by Taylor Swift13. "Saturday’s Child" by Countee Cullen and "Cat’s in the Cradle" by Harry Chapin
The importance of time versus money is at the center of this comparison. "Saturday's Child" is narrated by a child reflecting on his impoverished childhood, while "Cat's in the Cradle" is narrated by a father who regrets not spending more time with his son. Both the poem and song make reference to a silver spoon, but have students determine whether the allusion has the same meaning in both pieces. "Saturday's Child" can be examined for personification and irony can be discussed with "Cat's in the Cradle."
14. "The Highwayman" by Alfred Noyes and "Everywhere" by Fleetwood Mac
Few can resist a love story and a classic song. The combination of the two make Alfred Noyes' poem, "The Highwayman," and Fleetwood Mac's song, "Everywhere," a perfect combination for bringing narrative poetry into the class. I begin with the poem. Students dissect the narrative elements and tease apart the storyline. We talk about what happens and the poetic devices Noyes uses. (It's strong on repetition, rhyme, alliteration, similes and metaphors.) Then students listen to the Fleetwood Mac song and watch the video. We discuss the similarities, the themes of each, and the ways the song's video connects to the poem. If there is time for more, we compare both to other song and video renditions. In the end, students have a solid appreciation for narrative poetry and this poem. Introducing them to a classic song and band is a bonus.
*Recommended by Writing by Rachel, Rachel Cummings
Begin with a comparison of tone and theme as you examine "Choices" and "Change." While both the poem and song deal with the quandary of not getting what you want, Giovanni and Swift have very different attitudes about their problems, which results in the presence of two very different messages. "Choices" is from Giovanni's poetry collection titled Cotton Candy on a Rainy Day, which was published in 1978, and "Change" is a song from Swift's album titled Fearless, which was released in 2008 and used during the 2008 Summer Olympics. Discuss whether students attribute the difference in tone and theme to the time period, the women's racial identities, or a combination of both. What made Swift's song an appropriate choice for the Olympics? After reading, students could write about the changes they'd like to make in themselves or the change they'd like to see in the world.
You can find all of my resources for teaching poetry here.
For more song title suggestions and ways to use them in your English Language Arts classroom, check out this blog post: 15 Songs to Use in ELA.
January 19, 2018
Teaching Poetry: Favorite Poems & Creative Assignments
"Poetry is simply the most beautiful, impressive, and widely effective mode of saying things, and hence its importance," Matthew Arnold once sad and I think most English teachers would agree. This #2ndaryELA Twitter chat was all about teaching poetry. Middle school and high school English Language Arts teachers discussed when they teach poetry and how, as a unit or interspersed throughout their curriculum. Teachers also shared the skills they focus on when teaching poetry.
Read through the chat below to find out teachers' and students' favorite poems to read. You'll get ideas about creative poetry writing assignments. You'll also find ways to engage those students who say they hate poetry or that they don't understand it.
Teaching Poetry Read through the chat below to find out teachers' and students' favorite poems to read. You'll get ideas about creative poetry writing assignments. You'll also find ways to engage those students who say they hate poetry or that they don't understand it.
Hope you'll join us next week for another chat. We'd also love for you to join our 2ndaryELA Facebook group (even if you aren't on Twitter). 2ndaryELA is a group of middle and high school English Language Arts teachers looking to share ideas and best practices. This group is an extension of our Twitter chat and a place for collaboration, questions, and encouragement. Feel free to post teaching ideas, success stories, links, photos, etc. that will enhance our instruction.
January 14, 2018
#2ndaryELA Twitter Chat Topic: Poetry
Brynn Allison, The Literary Maven & Kristy, 2 Peas and a Dog host #2ndaryELA on Twitter every Tuesday evening from 8 - 8:30 PM EST. #2ndaryELA is a weekly chat for secondary English Language Arts teachers focused on a topic. Every Sunday, we post the topic and questions on our blogs to allow you to prepare for the upcoming Tuesday evening's chat. Thank you to everyone who joined us last week and we hope that you will join us again.
We'd also love for you to join our 2ndaryELA Facebook group, even if you aren't on Twitter. 2ndaryELA is a group of middle and high school English Language Arts teachers looking to share ideas and best practices. This group is an extension of our Twitter chat and a place for collaboration, questions, and encouragement. Feel free to post teaching ideas, success stories, resource links, photos, etc. that will enhance our instruction.
On Tuesday, January 16, our #2ndaryELA chat will be about teaching poetry.
The Format:
8:00 – What and where do you teach? Include a link to your blog if you have one. #2ndaryELA
8:05 Q1: Do you teach a poetry unit? When? Or do you incorporate it all year long? #2ndaryELA
8:10 Q2: What skills are most important for you to cover when teaching poetry? #2ndaryELA
8:15 Q3: What are your favorite poems to teach? What are students’ favorites to read? #2ndaryELA
8:20 Q4: Share your favorite poetry writing assignments. #2ndaryELA
8:25 Q5: How do you get creative when teaching poetry to appeal to those students who “hate” or don’t “get” poetry? #2ndaryELA
The Directions:
1. Log into Twitter on Tuesday from 8-8:30 PM EST.
2. Search for tweets with the hashtag #2ndaryELA in the search bar. Make sure to click “Latest.”
3. Introductions are for the first 5 minutes.
4. Starting at 8:05 (@literarymaven or @2peasandadog) will post questions every 5 minutes using the format Q1, Q2, Q3, etc. and the hashtag #2ndaryELA.
5. Respond to questions using the format A1, A2, A3, etc. with #2ndaryELA.
6. Follow any teachers responding and who are also using #2ndaryELA.
7. Like and respond to other teachers' tweets.
New to chats? Here are the rules:
1. Stay on topic & stay positive!
2. Please do not post or promote paid products unless specifically asked.
3. If you arrive late, try to look through other posts before beginning.
4. Feel free to just read, like, and/or retweet.
5. Always use our hashtag #2ndaryELA, including in your replies to others.
6. Make sure your twitter feed is set to public. (Also keep in mind that Twitter is completely public – that means students, parents, and administrators can and will read what you tweet.)
You can also check out a quick video tutorial in this blog post.
Looking for the recap? Click on the image below.
8:00 – What and where do you teach? Include a link to your blog if you have one. #2ndaryELA
8:05 Q1: Do you teach a poetry unit? When? Or do you incorporate it all year long? #2ndaryELA
8:10 Q2: What skills are most important for you to cover when teaching poetry? #2ndaryELA
8:15 Q3: What are your favorite poems to teach? What are students’ favorites to read? #2ndaryELA
8:20 Q4: Share your favorite poetry writing assignments. #2ndaryELA
8:25 Q5: How do you get creative when teaching poetry to appeal to those students who “hate” or don’t “get” poetry? #2ndaryELA
The Directions:
1. Log into Twitter on Tuesday from 8-8:30 PM EST.
2. Search for tweets with the hashtag #2ndaryELA in the search bar. Make sure to click “Latest.”
3. Introductions are for the first 5 minutes.
4. Starting at 8:05 (@literarymaven or @2peasandadog) will post questions every 5 minutes using the format Q1, Q2, Q3, etc. and the hashtag #2ndaryELA.
5. Respond to questions using the format A1, A2, A3, etc. with #2ndaryELA.
6. Follow any teachers responding and who are also using #2ndaryELA.
7. Like and respond to other teachers' tweets.
You can schedule your responses to the questions ahead of time using a scheduler like TweetDeck or HootSuite (but don't forget to use A1, A2, etc. and #2ndaryELA). Links are encouraged, so be sure to use a link shortener like tinyurl, bitly, goo.gl or ow.ly Just visit one of those links and paste your long link to shorten it for Twitter. Using images is also encouraged when relevant.
New to chats? Here are the rules:
1. Stay on topic & stay positive!
2. Please do not post or promote paid products unless specifically asked.
3. If you arrive late, try to look through other posts before beginning.
4. Feel free to just read, like, and/or retweet.
5. Always use our hashtag #2ndaryELA, including in your replies to others.
6. Make sure your twitter feed is set to public. (Also keep in mind that Twitter is completely public – that means students, parents, and administrators can and will read what you tweet.)
You can also check out a quick video tutorial in this blog post.
Be sure to spread the word to any teacher friends who might be interested in joining us as well. We look forward to chatting with you Tuesday evening and in our 2ndaryELA Facebook group!
Get caught up on past chats here:
Get caught up on past chats here:
May 1, 2017
On My Bookshelf: I Don't Want to Be Crazy by Samantha Schutz
The basic plot from Amazon: A harrowing, remarkable poetry memoir about one girl's struggle with anxiety disorder.
This is a true story of growing up, breaking down, and coming to grips with a psychological disorder. When Samantha Schutz first left home for college, she was excited by the possibilities -- freedom from parents, freedom from a boyfriend who was reckless with her affections, freedom from the person she was supposed to be. At first, she revelled in the independence. . . but as pressures increased, she began to suffer anxiety attacks that would leave her mentally shaken and physically incapacitated. Thus began a hard road of discovery and coping, powerfully rendered in this poetry memoir.
Why I liked it: I wasn't crazy about I Don't Want to Be Crazy (no pun intended) because of its lack of character development. There was very little exposition and introduction of characters or setting before Samantha heads off to college and her mental health issues escalate. From there, the plot mainly consists of pain attacks and bad relationships.
The book does paint a clear picture of what a panic attack looks like which might be reassuring to a student who suffers from them. The book could also serve as a warning to young women headed of to college about the realities of relationships in college. Too many young men (and I'm sure some young women) are looking for quick and easy, no strings attached, leaving behind many a wounded heart.
Classroom application: Because of the rampant drug use in the book and the few sexy scenes, this would be a high school only recommendation, and even then, likely only for certain students. An excerpt illustrating what a panic attack is like could be used during a unit about mental health issues.
If you are interested in purchasing a copy of I Don't Want to Be Crazy for yourself, you can find it on Amazon here.
Note: The Literary Maven is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com.
This is a true story of growing up, breaking down, and coming to grips with a psychological disorder. When Samantha Schutz first left home for college, she was excited by the possibilities -- freedom from parents, freedom from a boyfriend who was reckless with her affections, freedom from the person she was supposed to be. At first, she revelled in the independence. . . but as pressures increased, she began to suffer anxiety attacks that would leave her mentally shaken and physically incapacitated. Thus began a hard road of discovery and coping, powerfully rendered in this poetry memoir.
Why I liked it: I wasn't crazy about I Don't Want to Be Crazy (no pun intended) because of its lack of character development. There was very little exposition and introduction of characters or setting before Samantha heads off to college and her mental health issues escalate. From there, the plot mainly consists of pain attacks and bad relationships.
The book does paint a clear picture of what a panic attack looks like which might be reassuring to a student who suffers from them. The book could also serve as a warning to young women headed of to college about the realities of relationships in college. Too many young men (and I'm sure some young women) are looking for quick and easy, no strings attached, leaving behind many a wounded heart.
If you are interested in purchasing a copy of I Don't Want to Be Crazy for yourself, you can find it on Amazon here.

Note: The Literary Maven is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com.
April 2, 2017
32 Poetry Pairings for Secondary Students: Host a Poetry Tournament in Your Classroom
Last year, I shared 30 favorite poems for secondary students after being inspired by an Edutopia recent article, 4 Reasons to Start Class With a Poem Each Day, by ninth grade English teacher Brett Vogelsinger.
This year, he and I seem to be of like minds again. After reading another of his Edutopia articles about the benefits of pairing poetry, I was inspired to create my own list of poetry pairings. Vogelsinger believes that "comparing two poems side by side fosters deep thinking and rich discussion—even in classes beyond English" and shared three possible pairings.
I came up with 32 more poetry pairings (64 poems in total), perfect for creating a March Madness Poetry Tournament to use during March Madness, during National Poetry Month or any other time of year (you can generate a bracket here). Here's my 32 pairings:
1. Sympathy by Paul Laurence Dunbar & Hope is the thing with feathers by Emily Dickinson
Both poems use an extended metaphor to explore an idea. Dunbar uses a caged bird to represent the plight of slavery, while Dickinson uses a bird to show how hope perseveres.
30. sisters by Lucille Clifton & The Sisters by Rainer Maria Rilke
Both of these poems touch on the special bond between sisters, a relationship between two women who are connected, but not the same.
31. We Wear the Mask by Paul Laurence Dunbar & Richard Cory by Edwin Arlington Robinson
It is clear that appearances are deceiving in "We Wear the Mask" and "Richard Cory." Dunbar's poem captures the oppressed feelings of many African Americans in the early 1900s. "Richard Cory" tells the story of a man many admire, but suffers from unnamed inner turmoil that results in an unexpected ending to the poem.
32. To Helen by Edgar Allan Poe & Helen by Hilda Doolittle
Helen of Troy is depicted very differently in these two poems. Poe's poem conveys reverence of her beauty, while Doolittle's poem conveys loathing. These poems would be a great pairing with The Iliad, The Odyssey, or a unit on Greek mythology.
Find all of my resources for teaching poetry here.
I came up with 32 more poetry pairings (64 poems in total), perfect for creating a March Madness Poetry Tournament to use during March Madness, during National Poetry Month or any other time of year (you can generate a bracket here). Here's my 32 pairings:
1. Sympathy by Paul Laurence Dunbar & Hope is the thing with feathers by Emily Dickinson
Both poems use an extended metaphor to explore an idea. Dunbar uses a caged bird to represent the plight of slavery, while Dickinson uses a bird to show how hope perseveres.
“Home” and “The Raven” center around an unexpected visitor appearing on a gloomy night. Reading “Home,” a shorter and an easier read with great rhythm, first would help prepare students for some of the more challenging language in “The Raven.”
Personification is used to give the moon human-like qualities in the two poems by Dickinson and Stevenson. A great compare and contrast activity would be to have students draw a picture of the moon based on each poet’s description.
Childhood memories, both happy and sad, come to life in “Fifth Grade Autobiography” and “Nikki-Rosa.” Both also emphasize the importance of family love.
Both Sandburg and Hughes bring music into their poems. "Jazz Fantasia" has the sounds of drums, banjoes, and horns while "The Weary Blues" includes the lyrics of a blues song.
At the surface, the lure of the ocean is the topic of these two poems, but on a deeper level, both deal with death. "Sea Fever," which has great imagery and uses alliteration, has a haunting quality because of its repetition. Both poems have an easily identifiable rhyme scheme.
7. We Real Cool by Gwendolyn Brooks & Nothing Gold Can Stay by Robert Frost
These two classic, yet very stylistically different poems present the message of how fleeting life, and its marvels, can be. Listening to Brooks read her poem is a must. She gives some great background on writing the poem in the audio included at the link above.
7. We Real Cool by Gwendolyn Brooks & Nothing Gold Can Stay by Robert Frost
These two classic, yet very stylistically different poems present the message of how fleeting life, and its marvels, can be. Listening to Brooks read her poem is a must. She gives some great background on writing the poem in the audio included at the link above.
Both poems center around the idea of the unfulfilled dream. Flick Webb is the ex-basketball player in Updike's poem; once great, he now pumps gas. Hughes's short, but powerful poem asks questions about what happens to dreams that are put off.
9. Boy at the Window by Richard Wilbur & Snowman by Gu Cheng
The snowman, symbolic of childhood in winter, is featured in "Boy at the Window and "Snowman." "Boy at the Window" is interesting because it is written in third person limited point of view and focuses in on the boy first, and then the snowman. The narrator of "Snowman" is not quite as young as the boy in "Boy at the Window." The snowman he builds is part of his efforts to woo a crush.
9. Boy at the Window by Richard Wilbur & Snowman by Gu Cheng
The snowman, symbolic of childhood in winter, is featured in "Boy at the Window and "Snowman." "Boy at the Window" is interesting because it is written in third person limited point of view and focuses in on the boy first, and then the snowman. The narrator of "Snowman" is not quite as young as the boy in "Boy at the Window." The snowman he builds is part of his efforts to woo a crush.
10. Same Song by Pat Mora & Mirror by Sylvia Plath
Mirrors and the displeasure of looking at oneself in one are the focus of these two poems. In "Same Song," the speaker shows both her daughter and her son's interactions with the mirror. I appreciate that she depicts both genders as struggling with their body image. In "Mirror," the mirror is the speaker and claims to be "truthful" rather than "cruel."
Mirrors and the displeasure of looking at oneself in one are the focus of these two poems. In "Same Song," the speaker shows both her daughter and her son's interactions with the mirror. I appreciate that she depicts both genders as struggling with their body image. In "Mirror," the mirror is the speaker and claims to be "truthful" rather than "cruel."
11. I am Offering This Poem by Jimmy Santiago Baca & Things by Eloise Greenfield
If you haven't read anything by Jimmy Santiago Baca, you should, especially his autobiography, A Place to Stand. Knowing a little about his life, makes his poem "I am Offering This Poem" even more meaningful. Eloise Greenfield's singsongy poem is simpler, but shares the same measure: that poems are things to be treasured.
If you haven't read anything by Jimmy Santiago Baca, you should, especially his autobiography, A Place to Stand. Knowing a little about his life, makes his poem "I am Offering This Poem" even more meaningful. Eloise Greenfield's singsongy poem is simpler, but shares the same measure: that poems are things to be treasured.
12. The Summer I Was Sixteen by Geraldine Connolly & Because it looked hotter that way by Camille T. Dungy
The female narrators of these poems are coming of age and experiencing the rush of being young and beautiful. Both poems are full of great imagery and Dungy's poem gives a nod to "We Real Cool" by Gwendolyn Brooks, another possible pairing.
The female narrators of these poems are coming of age and experiencing the rush of being young and beautiful. Both poems are full of great imagery and Dungy's poem gives a nod to "We Real Cool" by Gwendolyn Brooks, another possible pairing.
These are two of my favorite poems with which to start a poetry unit. As we read "Introduction to Poetry," I have my students create a stanza-by-stanza cartoon strip. "How to Eat a Poem" leads to a great discussion about what type of food she is comparing a poem to; I've heard everything from a piece of fruit to a cheesesteak!
Both poems describe the struggle of African American women. Hughes's poem features a mother telling her son of her trials, while Walker's poem is narrated by a child reflecting on her mother’s perseverance through the challenges she and the women of her generation faced.
15. Musee des Beaux Arts by W. H. Auden & Landscape with the Fall of Icarus by William Carlos Williams
The myth of Daedalus and Icarus can be paired with these two very stylistically different poems detailing the fall of Icarus. Pieter Bruegel's painting, "Landscape with the Fall of Icarus," was the inspiration for these two poems, but there are a number of other wonderful paintings on the same topic that they can be compared also.
If you are reading any utopian or dystopian literature with your students, these two poems would be great adds to your unit. We just finished reading The Giver and used Alice Ostriker's poem to emphasize the impossibility of the existence of a perfect place.
Published in the 1920s, just five years apart, these poems share the pain of being excluded in one's own country. McKay and Hughes have much different outlooks on what the future will hold.
These two poems are a touching tribute to aging and emphasize the happiness of a life well lived. "When You Are Old" has a wonderful rhythm to it, which makes it perfect for reading aloud and both poems incorporate personification.
A son's admiration for his father is shared in both "The Secret Heart" and "Those Winter Sundays." the tender poems encourage us to show appreciation to those who love us now rather than later.
20. The Base Stealer by Robert Francis & Casey at the Bat by Ernest Lawrence Thayer
The sports fans in your classroom will enjoy these two poems about baseball. They are both light, playful poems. "The Base Stealer" is inspired by Jackie Robison and "Casey at the Bat" has an unexpected ending.
The sports fans in your classroom will enjoy these two poems about baseball. They are both light, playful poems. "The Base Stealer" is inspired by Jackie Robison and "Casey at the Bat" has an unexpected ending.
Both of these poems dwell on the distance between mother and daughter. In "Hanging Fire," the speaker is a teenage girl and her issues with her mother are in the moment while in "Mama, Come Back," the speaker is reflecting on the past.
"My Papa's Waltz" and "Listening to Grownups Quarreling" are told from a child's point of view and reveal their parents' flaws. Roethke's poem is about a drunk father and Whitman's poem is about arguing parents.
23. Because I could not stop for death by Emily Dickinson & Do Not Go Gentle Into That Good Night by Dylan Thomas
Death is the subject of these two classics. In Dickinson's poem, the speaker is busy living life and caught unaware by death. In Thomas's poem, the speaker encourages all men to fight against death, to fight to live.
In these playful poems, the poets describe the effects of the wind, since the wind itself cannot be seem. Stevenson's poem personifies and directly addresses the wind. Rossetti's poem is shorter, but both have an easily identifiable rhyme scheme.
25. I Hear America Singing by Walt Whitman & America by Allen Ginsberg
Published roughly 100 years apart, Whitman and Ginsberg describe America as they see it. Both poets share their love for America despite its flaws. Ginsberg's poem is full of cultural references that students could research to fully understand the poem.
Published roughly 100 years apart, Whitman and Ginsberg describe America as they see it. Both poets share their love for America despite its flaws. Ginsberg's poem is full of cultural references that students could research to fully understand the poem.
These two love letters-like poems are full of figurative language. Both hope that their love will live on forever; Bradstreet because they have lived a pure life and Shakespeare because he has captured his love in a poem.
If you want to bring some silliness into your classroom, these two poems are a perfect pick. The poets playfully describe their shadows. Stevenson's shadow has a mind of its own, while Silverstein's shadow shrinks after a washing.
"Mr. Nobody" is a clever poem about all the things that go wrong around the house, all of which can be blamed on Mr. Nobody. "One Art, " a poem about losing things, starts off light, but turns serious.
Maya Angelou and Nikki Giovanni are two female poets who are proud of their beauty and their identity. These two poems are a celebration of themselves and encourage all women to feel empowered.
30. sisters by Lucille Clifton & The Sisters by Rainer Maria Rilke
Both of these poems touch on the special bond between sisters, a relationship between two women who are connected, but not the same.
31. We Wear the Mask by Paul Laurence Dunbar & Richard Cory by Edwin Arlington Robinson
It is clear that appearances are deceiving in "We Wear the Mask" and "Richard Cory." Dunbar's poem captures the oppressed feelings of many African Americans in the early 1900s. "Richard Cory" tells the story of a man many admire, but suffers from unnamed inner turmoil that results in an unexpected ending to the poem.
32. To Helen by Edgar Allan Poe & Helen by Hilda Doolittle
Helen of Troy is depicted very differently in these two poems. Poe's poem conveys reverence of her beauty, while Doolittle's poem conveys loathing. These poems would be a great pairing with The Iliad, The Odyssey, or a unit on Greek mythology.
Find all of my resources for teaching poetry here.
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